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Becomes clear total description of Deep Blue Sea below:
- Original Title : Deep Blue Sea
- Movie title in your country : Deep Blue Sea
- Year of movie : 1999
- Genres of movie : Action, Science Fiction, Thriller,
- Status of movie : Released
- Release date of movie : 1999-07-28
- Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- Countries of movie : Australia, United States of America,
- Language of movie : English,
- Durationof movie : 105 Min
- Average vote of movie : 5.6
- Youtube ID of movie : gpdab_bi2HY
- Translation of movie : PL,EN,RO,RU,FR,SV,ES,JA,PT,CS,DA,UK,HE,PT,EL,TR,CA,DE,IT,NL,ZH,HU,KO,
- Cast of movie :Erinn Bartlett (Girl #1), Thomas Jane (Carter Blake), Cristos (Boat Captain), Jacqueline McKenzie (Janice Higgins), Samuel L. Jackson (Russell Franklin), Eyal Podell (Boy #1), Daniel Rey (Helicopter Pilot), Michael Rapaport (Tom "Scoggs" Scoggins), Frank Welker (Parrot Noises (voice)), Brent Roam (Helicopter Winch Operator), LL Cool J (Sherman 'Preacher' Dudley), Valente Rodriguez (Helicopter Co-Pilot), Dan Thiel (Boy #2), Saffron Burrows (Dr. Susan McCallister), Sabrina Geerinckx (Girl #2), Aida Turturro (Brenda Kerns), Tajsha Thomas (Friend of Janice), Stellan Skarsgård (Jim Whitlock)
Deep Blue Sea is the right movie excreted by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, with the help of a description of the movie is "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.". The film was produced with excellent graphic quality, best quality of sound and best starring actors.
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Sound Effects Editor : Andrew Somers, Production Office Coordinator : Francis Meade Warner, Camera Operator : Marc Spicer, Visual Effects Coordinator : Jack Geist, Animation : Bruce Pearson, Executive Producer : Bruce Berman, Electrician : Matt Buchan, Dialogue Editor : John F. Reynolds, Unit Production Manager : Todd Arnow, Production Sound Mixer : Tim Cooney, Camera Operator : Phil Pastuhov, Location Manager : Michael John Meehan, Unit Publicist : Peter J. Silbermann, Key Hair Stylist : Peter Tothpal, Visual Effects Supervisor : Rebecca Marie, Assistant Sound Editor : Catherine Calleson, Executive In Charge Of Production : Mark Scoon, Production Supervisor : Anna Roth, Property Master : Jerry Moss, Script Supervisor : Kelly Moon, Camera Operator : Leo J. Napolitano, Associate Producer : Patrick Lynn, Dialogue Editor : Patrick J. Foley, Visual Effects Editor : Scott Balcerek, Construction Foreman : William Apperson, Special Effects Supervisor : John Richardson, Best Boy Electric : R. Gern Trowbridge, Assistant Director : Thomas J. Mack, Unit Manager : Rafael Cuervo, Original Music Composer : Trevor Rabin, Makeup Department Head : Jeff Dawn, Foley : Catherine Harper, Camera Operator : Gregory J. Schmidt, Production Office Assistant : Jason D. McGatlin, Lighting Technician : Bruce Sharp, Second Unit Cinematographer : Gary Capo, Set Production Assistant : Jose Jimenez, Animation : Constance Bracewell, Assistant Costume Designer : Karla Stevens Flanigan, Steadicam Operator : Mark Emery Moore, First Assistant Camera : Frank Flick, Visual Effects Editor : Lincoln Kupchak, Visual Effects : Joshua I. Kolden, Screenplay : Donna Powers, Art Direction : Andrew Rothschild, Special Effects Coordinator : Sergio Jara, Script Supervisor : Portia Tickell, Supervising Art Director : Mark W. Mansbridge, Production Design : William Sandell, Animation Supervisor : Ken Stranahan, Assistant Art Director : Nick Navarro, Visual Effects Editor : Kevin Clark, Utility Stunts : Joey Box, Producer : Akiva Goldsman, Set Costumer : Carrie Bauer, Art Direction : Héctor Romero, Foley : Kevin Bartnof, Visual Effects Supervisor : Jeffrey A. Okun, Standby Painter : Anthony Gaudio, Stunt Coordinator : R.A. Rondell, Director : Renny Harlin, Art Department Coordinator : Beth Bajuk, Screenplay : Duncan Kennedy, Screenplay : Wayne Powers, Supervising Sound Editor : J. Paul Huntsman, Music Editor : Dick Bernstein, Storyboard : Gary Damian Thomas, Casting Associate : Cassandra Kulukundis, Visual Effects Supervisor : Jamie Dixon, Editor : Derek Brechin, Makeup Artist : Allan A. Apone, Executive Producer : Jonathan Schwartz, Set Medic : Sarah Catizone, Digital Compositors : John Rauh, Costume Supervisor : James W. Tyson, Sound Effects Editor : Jayme S. Parker, Property Master : Eric J. Bates, Assistant Art Director : Jonathan McKinstry, Visual Effects Producer : Heather Smith, Editor : Dallas Puett, Prosthetic Makeup Artist : Chad Atkinson, Video Assist Operator : Jeff Burrage, Production Illustrator : Harald Belker, Digital Effects Supervisor : Simon Giles, Sculptor : Jim McPherson, Set Dressing Artist : Chris Adams, Color Timer : Dale E. Grahn, Music Editor : Will Kaplan, Additional Music : Michael Jay, Aerial Coordinator : David Paris, Still Photographer : Merie Weismiller Wallace, Underwater Camera : Pete Romano, CG Supervisor : Douglas R. MacMillan, Sound Effects Editor : Adam Johnston, Visual Effects Producer : Scott Dougherty, Visual Effects Supervisor : William Mesa, Supervising Sound Editor : Robb Wilson, Construction Coordinator : Gary Deaton, Additional Camera : Frederick Iannone, Set Designer : Javier Nava, Producer : Tony Ludwig, Grip : Gustavo Covarrubias, Visual Effects Editor : Mark Eggenweiler, Visual Effects Producer : Thomas Boland, Casting : Christine Sheaks, Orchestrator : Tom Calderaro, Production Design : Joseph Bennett, Editor : Frank J. Urioste, Producer : Don MacBain, Producer : Alan Riche, Additional Editing : Kevin Stitt, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Stunts : Lesley Aletter, Leadman : Russell R. Anderson, Director of Photography : Stephen F. Windon, Set Designer : Karl J. Martin, ADR & Dubbing : Hugh Waddell, Production Accountant : Armando Amador, Associate Producer : Thomas J. Mack, CG Supervisor : John E. Sasaki, Post Production Supervisor : Ilyse A. Reutlinger, Executive Producer : Duncan Henderson, Transportation Captain : Hugo Chew, Set Designer : Bill Taliaferro, Driver : Rick Kelleher, Visual Effects Producer : Kristen Branan, Animation : Julie Nelson, Hairstylist : Robert L. Stevenson, Camera Operator : Guillermo Rosas, Rigging Grip : Jonas Juhanson, Gaffer : Mick Morris, Assistant Art Director : David Sandefur, Visual Effects Supervisor : Craig A. Mumma, CGI Supervisor : Serge Sretschinsky, Boom Operator : Todd Bassman, Production Manager : Anthony Franco, Costume Design : Mark Bridges, Sound Re-Recording Mixer : John T. Reitz, Sound Recordist : Rick Hromadka, Mechanical Designer : Larry Cheng, Transportation Coordinator : Russell McEntyre, Assistant Art Director : Ligia Ornelas, Co-Producer : Rebecca Spikings, Set Decoration : Debra Echard, Projection : Tom Ajar, Visual Effects Editor : Steve Shaw, Visual Effects Supervisor : Jerry Pooler, Supervising Art Director : Bruce Crone
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Tags: shark attack, shark, alzheimer's disease, killer shark, no opening credits,
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